Get all 9 Hats Off Gentlemen It's Adequate releases available on Bandcamp and save 20%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Confidence Trick, Feeling Great, Nostalgia For Infinity, Ark, Out Of Mind, Stand Up b/w When I Was A Ship, Broken But Still Standing, When The Kill Code Fails, and 1 more.
Hats Off Gentlemen It's Adequate London, UK
Hats Off Gentlemen It's Adequate are Malcolm Galloway and Mark Gatland on their own or with Kathryn Thomas
(flute).
They combine prog/alt-rock, funk, metal, ambient, contemporary classical, minimalist, and electronica elements, and often explore scientific themes.
Hard Rock Hell magazine -unlikely stars who stole the show’
Recommended by Steve Hackett
Beasties Rock Show's Album Of The Year
... more
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Wonderful, beautiful, densely layered music. I'm glad I gave this album several headphone listens before commenting. It did not immediately strike a chord with me, but the more I listened the more I began to understand and appreciate how fantastically rich and deep the sound is. For fans of atmospheric and melodic prog, this is an excellent addition. Bass and drum work are exquisite!
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supported by 40 fans who also own “Twin Earth”
Somehow these tracks hit the sweet spot of having emotional drive and payoffs without feeling like they're just 'highlights reels' stolen from earlier minimalist composers, or like academic exercises. The instrumentation/production is fantastic too and never sounds tinny or fake. In both the long tracks and the slow tracks themes and timbres evolve at just the right rate to be engaging but also to let you enjoy each stage of the overlapping lines. Excellent!
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supported by 39 fans who also own “Twin Earth”
Just awesome progressive rock, written and played with passion. Wow, what an amazing guitarist!
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Immortal's Requiem
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The Long Island metal band's third album etches arena-sized hooks into their jagged compositions, deftly balancing experimental and poppy inclinations.
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Forest of Lost Children
by Kikagaku Moyo
Tokyo duo lay down free flowing sitar-laden psychedelic jams born out of blurry-eyed all night recording sessions.
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supported by 39 fans who also own “Twin Earth”
Good modern prog albums are a rare beast in my eyes so this was a nice discovery. This album is very layered yet crisp sounding. Not exactly heavy but delightfully dense. Among other things the vocals are not someone's Dad doing their worst Roger Waters impression but are actually, quite good and give the music its own identity. I especially like the performance on Suli's rise. The songs flow really well and there's a lot of extremely ambitious playing. Also bonus points for church organ.
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