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The Light Of Ancient Mistakes

by Hats Off Gentlemen It's Adequate

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of One Word That Means The World (Arkhipov), The Light Of Ancient Mistakes, imtiredandeverythinghurts, Burn The World, The Confidence Trick, Feeling Great, Nostalgia For Infinity, Ark, and 5 more. , and , .

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1.
We risked it all To set the world free Dead or free The opportunity cost of the unused bombs So much invested We stormed the citadel Then bought the lease We won the war We sold the peace The laundromat and the golden visas The superyachts off stunning beaches The bot farms steer the will of the people Auctioned lunches with your chosen leaders We spent you to your knees We won the war and sold the peace Kensington flats via Cayman shells Tax is a choice for unearned wealth Power sucked to phallic towers Money oils and oil powers Unpublished reports, nothing to see Privacy trumps transparency Secret courts and missing reporters We beat you first but then you bought us We spent you to your knees We won the war and sold the peace
2.
800 years, the light waves creeping An ancient mistake A starlight weapon I wanted to show you How long it takes The bright moment Then the dark I wanted to show you The light of ancient mistakes By the light of dying stars You might see differently I brought you here to show you The night sky bright The moment of radiation The glow of expiring light I’ve known for years But I needed you to see, for yourself To look up and see the silent light. And think.
3.
4.
5.
You packed your Harrod’s suitcase and left You didn’t even slam the door I was left With a hole I didn’t grow up, I just got older I was only five years old Sixteen hugless years Sixteen long, long years I’ve grown old and I’m cold and hard but I’m told I’m the life and soul but it feels so hollow After 16 hugless years You never said goodbye You never sent a birthday card No apology or tears You didn’t call You’re gone, you’re ill, you’re bad or dead The story keeps on changing If or when you’re mentioned at all
6.
7.
The city has changed The sparkle faded The colour drained by red and black It used to be somewhere where we could Be ourselves Could live be without fear The party’s almost over, My friends are disappearing So many gaps The empty spaces left Behind the barbed wire fences It opened my eyes They call us the glamour boys The punishment for speaking out The leaks and smears and telephone taps The hints the threat the veiled attacks They call us the glamour boys To force us into shadows To warn us off from speaking out But it’s gone too far We were taken to a camp Where everyone I spoke to gave the same reply Word for word, while avoiding my eyes
8.
9.
“How are you”, well I’m meant to answer It’s not like I’m trying to drag you down But I don’t like dishonesty And I can see that I’m veering off script now I hate the question though it’s well intentioned If it’s just a turn phrase, please can I pass? Let’s skip from hello to the content And save us both an awkward moment I keep on, but it’s just momentum I keep going as I know if I slow I might stop I don’t want to give up, I don’t want to give in But I’m scared So let’s not go there I keep smiling So you might not notice That I’m falling apart I’m close to an edge I need help If this time you’re really asking I’m tired and everything hurts And there are times when I feel less broken I feel like a fake, a fraudulent spokesman Wearing a badge I look like I’ve stolen So I push myself My mistake, well what a surprise I’ve done it again I’ve pushed myself too far And each time I tell myself That I’ve learned to ask for help Well I haven’t I keep on, but it’s just momentum I keep going as I know if I slow I might stop I don’t want to give up, I don’t want to give in But I’m scared So let’s not go there I keep smiling So you might not notice That I’m falling apart I’m close to an edge I need help If this time you’re really asking I’m tired and everything hurts
10.
11.
The same face at every angle That tempted me into this long cold exile (my amateur Minotaur cosplay maze) The traps, the drops and the gravity changes The unpredictable air that I’ve learned to breathe (I’m quite an atmospheric connoisseur these days) I can’t take anymore of the the scritchy scratchy whispery whine Of the voices in my head I’ve become what the monsters are scared of I’ve been changed by the mother machine I am the thing that used to be me I was the pilot They didn’t mention getting lost, and eating corpses, When I was at astronaut school If 7 year old me was told He’d be huddled in the cold Trying to digest Long dead explorers Maybe I’d have said train driver instead Let’s pretend we’re having a conversation I used to talk to myself to keep me sane But I think we’ve moved a bit beyond that, don’t you? As I’m the only human here I get to pick the names Maybe I’m too sentimental But the caterpillar men are now clive Telling jokes to monkey insect cyborg things I only want to talk Let’s engage like civilised monsters - What’s for tea? Air dried flank of Clive again The mother machine Takes me apart And builds me back cell by cell And changed I’d say don’t go If I could go back again And talk to the little me The one with astronaut dreams Don’t send me I’m so hungry I’m so lonely I think there’s been a misunderstanding By the light of my Clive leg torch I keep searching I keeping looking for someone Someone, that looks just a bit like me
12.
13.
14.
15.
There’s unbroken sea Where an island used to be The coral bleached The sandbags breached, long ago The desert is winning The forest is thinning The rain that used to fall Now floods or none at all And not much in between We could have made But it’s easier to break We could have tried But it’s easier to fake We could have taken care We could have cared Just enough to give ourselves a chance But it’s easier to fail We never learned to change All the things we could have done, and we chose to burn the world So many chances slip And so many of us wait For someone else to blink For someone else to make the change While we drift So much life to live And so much life to save From ourselves, but we threw it all away What have we left for you?
16.
17.
18.
19.

about

'The Light Of Ancient Mistakes' is Hats Off Gentlemen It's Adequate's seventh album.

Although not a traditional concept album, many of the songs have been inspired by books.

The centrepiece of the album is ‘Walking To Aldebaran’, inspired by the science fiction novella of the same name by Adrian Tchaikovsky. The tracks ‘Avrana Kern Is Made Of Ants’, ‘The Requisitioner and the Wonder’ and ‘Gothi and Gethli’ are references to a character, two spaceships and a pair of crow-like creatures which insistently deny they are sentient in Adrian Tchaikovsky’s ‘Children of Time’ series.

Science fiction author Iain M Banks’ novel ‘Look To Windward’ is the inspiration of the title track. The track ‘The Man Who Japed’ is named after the Philip K Dick novel.

The childhood experiences of David Cornwell, who wrote as John le Carré are the inspiration behind ‘Sixteen Hugless Years’.

‘The Glamour Boys’ was inspired by Labour MP Chris Byrant’s book of the same name about the experiences of a group of mostly homosexual or bisexual Conservative MPs who argued against appeasement, despite the threats from Chamberlain’s government to expose their secrets. Many went on to risk, and in some cases lose their lives in the Second World War.

The album also features ‘The Anxiety Machine’, a three part instrumental interspersed within the album, ‘Goodbye Cassini’, a flute led tribute to the space probe, and ‘imtiredandeverythinghurts’, which is about Malcolm’s experiences with invisible disability due to Ehlers-Danlos Syndrome, and the difficulty in knowing how to respond to the well-intentioned routine question ‘how are you’?

The album ends with the climate change inspired ‘Burn The World’.


The album is available to pre-order on Bandcamp.

Those who pre-order the album will get immediate access to the radio edit of the title track, and the instrumental ‘Avrana Kern Is Made Of Ants’. The first 40 people to order in June will also have the option of having their name in the album credits as pre-order supporters.


We are also looking forward to playing tracks from the new album in our forthcoming 2023 concerts

Friday 16 June - The Northcourt, Abingdon. Malcolm solo set. fb.me/e/1fGmN6PWW
Thursday 6 July - The Fiddler’s Elbow, Camden. Science fiction music night with the Yuval Ron Trio from Germany and Splink. fb.me/e/2jOaS88jO
Saturday 5 August - The Prince Albert, Brighton with The Emerald Dawn. fb.me/e/YKcwx4d0
Sunday 24 September - The Camden Club, album launch. Malcolm and Mark’s combined 100th birthday celebrations and belated 10th anniversary of the first HOGIA album. www.wegottickets.com/event/585031
Sunday 3 December - Prog The Forest, The Fiddler’s Elbow, Camden. With The Blackheart Orchestra, This Winter Machine, Ebony Buckle, Ebb and Guranfoe. fb.me/e/3yitpovAv




BAND NOTES

Hats Off Gentlemen It’s Adequate are an eclectic band, combining progressive/alt-rock, classical, experimental, electronic, and metal influences. Their performances are passionate and charismatic.

They have been Prog Magazine Limelight artists. In November 2017 hey stepped in at the last minute to replace an injured band on the main stage at Hard Rock Hell’s Prog Festival, one of the world’s leading indoor progressive rock events. They performed to over 1000 people, opening for Magnum, Focus and Carl Palmer. They were described by Hard Rock Hell magazine as ‘unlikely stars who stole the show’, and by eFestivals as the ‘highlight of the festival’.

Hats Off Gentlemen It's Adequate are Malcolm Galloway (vocalist, multi-instrumentalist and producer) and Mark Gatland (bass, Chapman stick, backing vocals, additional guitar, keyboards and co-producer), on their own, or with Kathryn Thomas (flute, backing vocals). Kathryn is the flautist of the award winning BBC New Generation Artists The Galliard Ensemble (wind quintet), and is also married to Malcolm.

They have regularly broadcast on a wide range of radio shows internationally, ranging from shows focused on metal to ambient stations. The are the co-organisers with London Prog Gigs of the charity festival Prog The Forest.

Their music has been recommended by Steve Hackett ("I particularly enjoyed this album and I thoroughly recommend it”) and won many awards including:-

Prog Magazine Reader’s Poll Top 10 Unsigned Bands
Beasties Rock Show's album of the year award (shared with Alice Cooper and Roger Waters)
Bandwagon Network Radio Song Of The Year
Banks Radio Australia's best album and best producer category shortlist
Radio Wigwam Single Of The Year shortlist
Metal Mayhem Radio band of the month
American Veterans Radio artist of the week
NewEARS Album Of The Month award
Malcolm Galloway is also a contemporary classical/minimalist composer and a former neuropathologist and medical school teacher.




The album is broadly within the genre of progressive rock, but includes elements of alt-rock, metal, contemporary classical music, minimalism, and electronic music.

Cover art copyright Malcolm Galloway. Booklet art copyright Malcolm Galloway and Mark Gatland.
Music copyright Glass Castle Recordings / Malcolm Galloway / Mark Gatland / Hats Off Gentlemen It's Adequate 2023.



Reviews

"...We are drawn into a foreboding, disturbing, unsettling world in which we begin to realize we have only ourselves to blame. All set to impeccably engineered, mostly-restrained, Floyd-inspired, brooding music with lyrics telling tales of quiet horror and devastation.
Impeccably engineered and produced musical greatness... brimming with excellent music and thought-provoking lyrics.
My rating is nine dystopian solar systems out of ten." Progressive Rock Fanatics

credits

released September 9, 2023

Sold The Peace, Avrana Kern Is Made Of Ants, Sixteen Hugless Years, The Requisitioner and the Wonder, The Glamour Boys, Gothi and Gethli, imtiredandeverythinghurts, The Man Who Japed, Burn The World - Written and performed by Malcolm Galloway and Mark Gatland.

The Light Of Ancient Mistakes, Goodbye Cassini, Walking To Aldebaran - Written and performed by Malcolm Galloway, Mark Gatland, Kathryn Thomas.

The Anxiety Machine - Written and performed by Malcolm Galloway.

(c) Glass Castle Recordings 2023, Malcolm Galloway, Mark Gatland, Kathryn Thomas

Album produced/mixed/mastered by Malcolm Galloway, co-produced by Mark Gatland

Lyrics by Malcolm Galloway

Malcolm Galloway - vocals, lead guitar, keyboards/synths, programming, additional percussion/drums.
Mark Gatland - bass guitar, additional and slide guitars, keyboards/synths, Chapman Stick, backing vocals, additional percussion/drums
Kathryn Thomas - flute

Cover art by Malcolm Galloway, using AI assisted art creation software

Booklet art by Malcolm Galloway and Mark Gatland

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Hats Off Gentlemen It's Adequate London, UK

London based Hats Off Gentlemen It's Adequate are Malcolm Galloway and Mark Gatland on their own or with Kathryn Thomas.

They combine prog/alt-rock, classical, minimalist, and electronic elements. The often explore scientific, sci-fi, and historical themes.

Hard Rock Hell magazine -'unlikely stars who stole the show’

Recommended by Steve Hackett

Beastie's Rock Show Album Of TY
... more

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